Daria Werbowy as ‘Artemis’ ‘Mythology’
(as Diana the huntress)
© Karl Lagerfeld
Archiviato in:Daria Werbowy, Karl Lagerfeld, PHOTO BLACK & WHITE Tagged: Contemporary, Karl Lagerfeld, Pirelli Calendar 
Daria Werbowy
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Daria Werbowy
Daria Werbowy
Vogue april 2010
© Annie Leibovitz
Archiviato in:Daria Werbowy, Karl Lagerfeld, PHOTO BLACK & WHITE Tagged: Annie Leibovitz, Contemporary, Vogue 
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Daria Werbowy
Daria Werbowy
-“Respect yourself” –
W Magazine October 2014
© Mert Alas & Marcus Piggott
Archiviato in:Daria Werbowy, Mert Atlas & Marcus Piggott, PHOTO BLACK & WHITE Tagged: Contemporary, Mert Alas and Marcus Piggott
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Marie Lise Gres
Marie-Lise Grès
Marie Lise Gres with a spotted bonnet, 1960’s
© John French
Archiviato in:"| Wordpress Room |, John French, Marie Lise Gres, PHOTO BLACK & WHITE Tagged: 60's, John French, Vintage 
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Marie Lise Gres
Marie-Lise Grès
PUCCI 1963
© John French
Archiviato in:"| Wordpress Room |, Emilio Pucci, John French, Marie Lise Gres, PHOTO BLACK & WHITE Tagged: 60's, Emilio Pucci, John French, Vintage 
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Marie Lise Gres
Marie Lise Gres (l) Tania Mallet (c) and Jean Shrimpton (r)
Daily Express, 1961
© David Bailey
Archiviato in:David Bailey, Jean Shrimpton, Marie Lise Gres, PHOTO BLACK & WHITE, Tania Mallet Tagged: 60's, David Bailey, Vintage 
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Marie Lise Gres
Marie-Lise Grès
Ireland, Vogue 1962
© Brian Duffy
Archiviato in:Brian Duffy, Marie Lise Gres, PHOTO BLACK & WHITE Tagged: 60's, Brian Duffy, Vintage, Vogue 
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Marie-Lise Grès
Marie-Lise Grès
among a swarm of faceless onlookers in front of the
Paris Opera,Vogue, 1963
© William Klein
Archiviato in:Marie Lise Gres, PHOTO BLACK & WHITE, William Klein Tagged: 60's, Vintage, Vogue, William Klein 
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Jacqueline de Ribes
Vicomtesse Jacqueline de Ribes
‘Maxim’ Dior’s (YSL) Autumn/Winter Collection 1960
© Richard Avedon
Archiviato in:Christian Dior, Jacqueline de Ribes, PHOTO BLACK & WHITE, Richard Avedon, Yves Saint Laurent Tagged: 60's, Christian Dior, Richard Avedon, Yves Saint Laurent 
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Gloria Guinness
Gloria Guinness
(Princess Ahmed Fakhry),
wearing an off the shoulder dress by Schiaparelli
Vogue january 1949
© Horst P.Horst
Archiviato in:Elsa Schiaparelli, Gloria Guinness, Horst P. Horst, PHOTO BLACK & WHITE Tagged: 40's, Horst P. Horst, Vogue
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Park Avenue VOGUE 1962
Simone d’Aillencourt
in the famous Editorial in Park Avenue with Nena von Schlebrugge
Simone wearing plaid wool dress by Burke-Amey
and bulbous turban-hat by Lilly Daché
famous Editorial in Park Avenue with Nena von Schlebrugge
Vogue 1962
Horst P.Horst
Nena von Schlebrugge
in gray flannel suit by unidentified designer,
famous Editorial in Park Avenue with Simone d’Aillencourt
Vogue 1962
Horst P.Horst
Vogue 1962
Horst P.Horst
Simone d’Aillencourt in city setting gazes upward wearing a grey fur-trimmed jacket designed by Ben Zuckerman from Anglo wool loomed in America and Astrakhan lamb
Vogue 1962
Horst P.Horst
Archiviato in:Horst P. Horst, Lilly Daché, Nena von Schlebrugge, PHOTO COLOR, Simone D'Aillencourt, Various Tagged: 60's, Horst P. Horst, Vogue
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Mrs. Arturo Ramos
Mrs. Arturo Ramos
Modeling a Givenchy Black Felt Hat
Vogue Nov 1955
© Horst P. Horst
Archiviato in:Horst P. Horst, Hubert de Givenchy, Mrs. Arturo Ramos, PHOTO BLACK & WHITE, Various Tagged: 50's, Horst P. Horst, Hubert de Givenchy, Vintage, Vogue 
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Eliane Orosdi
Eliane Orosdi
Modeling Balenciaga Ermine-Bordered Cloche
Vogue November 1955
© Horst P. Horst
Eliane (1918-2002), muse des couturiers René Gruau et Hubert de Givenchy. Naturalisée américiane sous le nom d’Ellen Orosdi. Résidence : New-York
Hubert de Givenchy – FR – Chacun m’a soutenu sans faiblir, avec gentillesse et courage. Je crois que mon enthousiasme était contagieux car des proches proposaient de venir travailler sans rémunération. Ainsi, mon amie Éliane Orosdi, l’une des plus belles femmes que j’ai connues, et Dieu sait que j’en ai rencontrées. Elle fut pour moi, à mon échelle modeste de débutant, ce qu’étaieiit Cora Caetani ou Sonia Magaloff pour Elsa Schiaparelli. Sa présence et ses relations m’ont considérablement aidé, au tout début de la maison, et personne ne portait mes modèles avec plus de chic. » Éliane, voisine de Givenchy rue Fabert, avait pour parents les propriétaires des parfums Bourjois. D’une séduction peu commune, la jeune femme était l’une des muses de René Gruau, et bon nombre de ses silhouettes déliées et élégantes de l’époque furent inspirées par elle. Pour Givenchy, Éliane Orosdi se transforma en vendeuse mondaine. « L’aider fut une joie de chaque instant, car ce mélange de jeunesse, de talent et de force morale était aussi rare qu’émouvant », précise-t-elle aujourd’hui.Mais aucune collaboratrice ne fut plus dévouée et efficace que Bettina. Mannequin vedette, hôtesse, responsable des relations publiques et du service de presse… , son soutien ne connaissait aucune limite. Bettina, qui avait été façonnée par Jacques Fathi, était la cover-girl la plus fêtée de Sto arrivando! génération – eng translate – Hubert de Givenchy – Each one supported me without weakness, with kindness and courage. I believe that my enthusiasm was contagious because relatives proposed to come to work without pay. So, my friend Éliane Orosdi, one of the most beautiful women I’ve ever met, and God knows I’ve met. It was for me, on my modest beginner scale, what Cora Caetani or Sonia Magaloff had for Elsa Schiaparelli. His presence and relationships greatly helped me, at the very beginning of the house, and nobody was wearing my models with more chic. Eliane, a neighbor of Givenchy in the Rue Fabert, had as parents the owners of Bourjois perfumes. An unusual seduction, the young woman was one of the muses of René Gruau, and many of her uncluttered and elegant silhouettes of the time were inspired by her. For Givenchy, Éliane Orosdi turned into a worldly saleswoman. “To help her was a joy of every moment, for this mixture of youth, talent and moral strength was as rare as it was moving,” she said today.But no collaborator was more devoted and efficient than Bettina. Mannequin star, hostess, public relations manager and press service …, her support knew no limits. Bettina, which had been shaped by Jacques Fathi, was the most celebrated cover-girl of her generation – ITA – Translate – Hubert de Givenchy – Ognuno mi ha sostenuto senza debolezza, con gentilezza e coraggio. Credo che il mio entusiasmo era contagioso perché i parenti mi hanno proposto di venire a lavorare senza paga. Quindi, la mia amica Éliane Orosdi, una delle donne più belle che abbia mai incontrato, e Dio sa che ho incontrato. Éliane Orosdi E ‘stata per me, sulla mia scala all’inizio modesta, ciò che era Cora Caetani o Sonia Magaloff per Elsa Schiaparelli. La sua presenza e le sue relazioni molto mi hanno aiutato, proprio all’inizio della mia carriera, e nessuno indossava i miei modelli con più eleganza. Eliane, era vicina di casa di Givenchy in rue Fabert, ha avuto come genitori i proprietari dei profumi Bourjois. Una seduzione insolito, la giovane donna è stata una delle muse di René Gruau, e molti delle Sue sagome ordinate ed eleganti del tempo si sono ispirati a lei. Per Givenchy, Éliane Orosdi si è trasformata si è in una commessa mondana. “Per aiutarmi la sua è stata una gioia in ogni momento, per questa miscela di gioventù, talento e forza morale che era così rara come se fosse in movimento”, ha detto oggi.
Ma nessun collaboratore era più devota ed efficiente di Bettina. Modella e Star, hostess, responsabile delle pubbliche relazioni e Stampa …, il suo sostegno non conosceva limiti. Bettina, che era stato modella da Jacques Fathi, è stato il più celebre cover-girl della sua generazione
Bettina wearing Givenchy poses for fashion illustrator
Renè Gruau
” Renato Zavagli Ricciardelli delle Caminate”
Feb. 1952
© Nat Farbman
French Vogue,September 1955
Modeling Balenciaga
© Renè Gruau
Archiviato in:Eliane Orosdi, Horst P. Horst, Hubert de Givenchy, Nat Farbman, PHOTO BLACK & WHITE, René Gruau Tagged: 50's, Cristobal Balenciaga, Horst P. Horst, Hubert de Givenchy, Nat Farbman, Vintage, Vogue, Vogue cover
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Tamara Toumanova
Portrait of dancer Tamara Toumanova, Mrs. Casey Robinson. She is wearing a black velvet and satin evening gown with triple shoulder straps by Don Loper, sapphire and diamond necklace and earrings from George Headley, and holding a fan. Image is black and white in issue, negatives are color
Vogue 1948
© Luis Lemus
Archiviato in:Luis Lemus, PHOTO COLOR, Tamara Toumanova, Various Tagged: 40's, Ballet and Dancer, Luis Lemus, Vintage 
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Ava Gardner
Ava Gardner
Vogue 1948
© Luis Lemus
Archiviato in:Ava Gardner, Luis Lemus, PHOTO COLOR, Various Tagged: 40's, Cinema Archive, Luis Lemus, Vogue 
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VOGUE OCT 1953
Model wearing silk soutache day coat with mink fur on the collar and cuffs from the custom collection of Sophie of Saks Fifth Avenue and green shoes with diamonds by Harry Winston
VOGUE OCT 1953
© Horst P. Horst
Archiviato in:Horst P. Horst, PHOTO COLOR, Various Tagged: 50's, Harry Winston, Horst P. Horst, Saks, Vintage, Vogue 
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Sunny Harnett
Two models in stride Sunny Harnett, left, in beige chiffon dress cut softly over the shoulder with long bodice and skirt cut on the bias; other wearing brown chiffon dress twice banded around the bodice with brown satin
Vogue March 1955
© Horst P Horst
Archiviato in:Horst P. Horst, PHOTO COLOR, Sunny Harnett, Various Tagged: 50's, Horst P. Horst, Vintage, Vogue
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Sunny Harnett
Sunny
Wearing Sleeveless White Linen Five Button Dress
with Bamboo-Printed Silk Jacket
Vogue Dec 1954
© Horst P. Horst
Archiviato in:PHOTO COLOR, Sunny Harnett, Various Tagged: Horst P. Horst, Vintage, Vogue 
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Sunny Harnett
Sunny
Wearing Short Mink Jacket with Tweed Skirt bracelet
and ring by Verdura, leather handbag by Nettie Rosenstei
Vogue oct 1957
© Horst P. Horst
Archiviato in:Horst P. Horst, PHOTO COLOR, Sunny Harnett Tagged: 50's, Horst P. Horst, Nettie Rosenstein, Vintage, Vogue 
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Sunny Harnett
Sunny Harnett
Wearing a Jose Martin Suit;
Silk Twill in Cocoa with Black Miniature Prints
Vogue feb 1951
© Horst P. Horst
Archiviato in:Horst P. Horst, Sunny Harnett Tagged: 50's, Horst P. Horst, Jose Martin, Vintage, Vogue 
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More Pages to Explore .....
